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2016.04.29 Fri, by

Sean Scully: Resistance and Persistence

(中文) 如题所示,肖恩继续与过往的创作经验抗争,并坚持个人对艺术产生的新感悟。 >> Read more
2016.02.04 Thu, by

Sean Scully: Resistance and Persistence

Apr 8th, 2016, Art Museum of Nanjing University of the Arts >> Read more
2016.01.20 Wed, by

Sean Scully: Resistance and Persistence Paintings 1967-2015 London and New York

- ‘An artist whose name belongs to the shortest of the short list of major painters of our time’ >> Read more
2015.03.24 Tue, by

At China: Early Photography and Photographic Technique

Taikang’s first exhibition in 2015 will take the visitors on a tour of early photography in China in the 19th century. >> Read more
2015.02.27 Fri, by

FOLLOW THE HEART: THE ART OF SEAN SCULLY 1964-2014, LONDON, NEW YORK-Central Academy of Fine Arts Museum

-An artist whose name belongs to the shortest of the short list of major painters of our time (Arthur Danto) >> Read more
2014.10.18 Sat, by

FOLLOW THE HEART: THE ART OF SEAN SCULLY 1964-2014, LONDON, NEW YORK

Nov 23, 2014 – Jan 25, 2015, Shanghai Himalayas Museum Mar 13 – Apr 23, 2015, Beijing CAFA Art Museum >> Read more
Commentary, 2016.08.11 Thu, by

The Difference Between Two Smiles: Gentrification in Beijing

I try to understand how an artist, a designer, an architect, a writer, a poet, or any other “creative” individual should go about this kind of activity in order to bring his or her own work and practice into this kind of context. >> Read more
Commentary, 2015.04.15 Wed, by

Extremely Unextreme

Sometimes, taking the extreme route is taking a shortcut. At other times, no reason is needed; extreme behavior can be dictated by irrational, emotional influences: utter despair when all hopes are dashed, tears of joy, a dip into extreme grief following a moment of profound happiness... >> Read more
Think, 2014.06.27 Fri, by

The (Continuing) Story of Ai—From Tragedy to Farce

In recent weeks Ai Weiwei has become embroiled, yet again, in apparent controversy. Paul Gladston comments.
 
 
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Think, 2012.11.19 Mon, by

Getting Over Ai Weiwei

A critical response to Ai Weiwei’s view that the exhibition “Art of Change,” at the Hayward Gallery, fails to address any of China’s most “pressing contemporary issues." Contemporary art in China is, Ai argues, “merely a product” that “avoids any meaningful engagement” and whose only purpose outside China is therefore “to charm viewers with its ambiguity”. >> Read more